Gaby Jamieson: The Composer Behind the Credits — and the Woman Behind the Dancer

Quick Bio

Detail	Info
Full Name	Gaby Jamieson (also credited as Gaby Jamieson-Kemp)
Nationality	British
Profession	Film composer, songwriter, actress
Key Film Credits	H6: Diario de un asesino (2005); The Midnight Man (2016); Modern English (2016); The Coin (2013, short)
Married	Will Kemp — British actor and former ballet dancer — December 31, 2002
How They Met	During the Broadway production of Matthew Bourne’s Swan Lake, circa 2001
Children	Thalie Kemp (born 2005) and Indigo Kemp (born 2008)
Also Known As	Singer, songwriter, composer — as listed in multiple entertainment databases
Estimated Net Worth	Approximately $8 million (inclusive of household assets)

Why People Go Looking for Her Name

Gaby Jamieson sits in an interesting position in the public imagination. She’s not invisible — her name appears on film credits, in entertainment databases, in biographical listings — but she’s far less visible than her husband, and that gap tends to be the engine behind people searching for her.

Will Kemp spent the early part of his career as a ballet dancer with Matthew Bourne’s celebrated company before transitioning into acting, where he’s built a steady screen presence. Audiences who discovered him through Hallmark movies, or through his role in Van Helsing, or through his earlier dance work on Broadway, eventually start asking the natural follow-up questions. Who is Will Kemp married to? Who is this person in his life? And that trail leads to Gaby Jamieson.

What they tend to find when they get there is a woman with her own genuine professional identity — a film composer who has worked across horror, drama, and short form projects, who is also a songwriter and an occasional actress. She doesn’t court attention, and she doesn’t seem to resent its absence either. She’s built a creative life that functions largely outside the visibility structures that define celebrity, and she appears to have made that choice deliberately.

That’s an interesting story. Let’s tell it.

British Roots and a Life Built Around Music

Gaby Jamieson was born in the United Kingdom — the precise city hasn’t been something she’s publicized, which fits the general profile of someone who keeps personal details close. What’s clear from the shape of her career and the trajectory of her early professional life is that she grew up in an environment where creativity was taken seriously.

Music composition is not something you stumble into. It requires a specific kind of engagement with sound from an early age — not just listening but analyzing, understanding structure, developing the ability to hear what a scene or a moment needs and then create that thing from scratch. The composers who do it professionally, who write music for film and television and short projects, typically started young. They were the kids who noticed film scores, who could hum themes before they could name the composers, who felt the music underneath the images rather than just alongside them.

By the time Gaby was professionally active in the mid-1990s, she had built enough of a foundation to begin working in the industry. Her IMDb credits show activity from the mid-1990s onward, spanning composition, performance, and songwriting. She’s listed variously as a singer, songwriter, and composer across different entertainment databases — which tells you this wasn’t a single-track career but a genuine multi-faceted creative practice.

The specifics of her early training — where she studied, what formal programs she went through — aren’t things she’s put into public record. That’s consistent with who she appears to be: someone who lets the work speak rather than spending energy on biographical self-promotion.

The Broadway Connection Thatgaby jamieson kemp Changed Everything

The moment that most definitively shapes Gaby Jamieson’s biography is the one that connected her personal and professional worlds simultaneously.

Matthew Bourne’s Swan Lake was not a conventional ballet. It was a revolutionary reimagining of one of the most iconic pieces in the classical repertoire — replacing the traditional female corps of swans with an all-male ensemble, shifting the emotional register of the story, and creating something that managed to be both deeply classical and completely modern. It became a sensation. After transforming the London stage, it transferred to Broadway, where it attracted enormous attention both from ballet audiences and from people who hadn’t previously cared about ballet at all.

Will Kemp was a central figure in that production. He’d trained as a classical dancer and found his way into Bourne’s company, and his work on Swan Lake — both in the London production and on Broadway — was a major step in establishing him as one of the most compelling physical performers of his generation.

Gaby was part of that Broadway world around the same time, working in the creative and musical dimensions of the production environment. They met during that period, around 2001, in the electric atmosphere of a groundbreaking show that had everyone in its orbit feeling like they were part of something significant.

It’s the kind of meeting place that makes complete sense in retrospect. Two creative people who both took their crafts seriously, both drawn to work that had real artistic ambition, meeting in a context defined by those shared values.

December 31, 2002: The New Year’s Eve Wedding

Will and Gaby married on December 31, 2002 — New Year’s Eve. It’s a date that has a certain symmetry to it, straddling the end of one chapter and the beginning of another, and it’s stuck in the public record as one of those biographical details that feels right for two people who seem to approach their lives with a certain theatrical sensibility.

The wedding was private and low-key. Neither of them turned it into a media event, which is consistent with how both of them have managed their personal lives across the two-plus decades since. They live their marriage without performing it for an audience.

The years immediately following the wedding brought Will’s film career into sharper focus. He appeared in Mindhunters in 2004 and then landed the role of Velkan Valerious in Van Helsing — the Stephen Sommers supernatural action film starring Hugh Jackman — which gave him significant mainstream exposure. Those years were busy and high-profile for him professionally, which meant Gaby was navigating her own career while also being part of the adjustments that come with a partner’s sudden increased visibility.

The Composing Work: What She Actually Built

Gaby Jamieson’s film composing credits are modest in number but represent work across genuinely different kinds of projects, which says something about her range.

H6: Diario de un asesino — which translates roughly as H6: Diary of a Serial Killer — was a Spanish horror film released in 2005. It’s a low-budget, grim, deliberately unsettling piece of work, and composing music for horror is a specific discipline. The score has to do things that music in other genres doesn’t have to do: it has to create unease without telegraphing exactly what’s coming, to sustain tension over long stretches without releasing it too early, to find the emotional current underneath what’s explicitly horrifying on screen. Gaby was credited as composer, performer, and co-writer on a song called “Oculta Realidad” for this project — a triple credit that indicates genuine artistic investment, not just a hired-gun scoring job.

The Coin, a short film from 2013, shows her working in the compressed format of the short, where every musical choice matters more because there’s so much less runway. Short film composition requires the same skills as feature work but with no room for exposition or development — you have to land your effect quickly.

Modern English (2016) and The Midnight Man (2016) round out her documented feature credits. Two films in the same year suggests a period of active professional engagement. The Midnight Man is a horror film — building on the genre experience she’d developed with H6 — while Modern English represents a different tonal register.

TCM’s database specifically describes her as “Singer, songwriter, composer” — a formulation that suggests her work encompasses more than just instrumental scoring. The songwriting dimension of her practice adds a further layer: melody, lyric, the architecture of a song that exists independently of picture.

Two Children and a Life in London

In 2005, Will and Gaby’s daughter Thalie was born. In 2008, their son Indigo followed. Two children, three years apart — and two names that carry a certain creative, slightly unconventional energy that tells you something about the household they were born into.

Will has consistently described his family life as his anchor point. He’s a touring and filming actor, which means extended absences, time zones across multiple continents, the particular disruptions that come with the life of a working performer. Gaby has been, by all available accounts, the stable center of that arrangement — not in a passive or supporting-cast sense, but in the active sense of someone who has made choices about what she prioritizes and who has built a home that functions with or without the famous person in it.

They’re based in London, which keeps them in the cultural and professional ecosystem of the British entertainment world without the particular pressures of living in Los Angeles or New York. London allows for a kind of professional engagement that doesn’t demand constant visibility, and for a composer and a family-oriented mother who prefers privacy, that’s a real advantage.

The Privacy Choice and What It Means

Gaby Jamieson has no significant public social media presence. She doesn’t give interviews. She doesn’t appear on red carpets in any regular way. The information available about her comes largely from entertainment databases (IMDB, TCM) and from the biographical overflow from Will Kemp’s interviews and profiles, where she’s mentioned in passing.

That’s a very deliberate choice, and it’s worth recognizing it as such. Being married to someone with Will Kemp’s professional profile — especially as his Hallmark movies have expanded his international reach significantly — means there is constant pressure from the curiosity machine. Fans of her husband want to know about his family. Media outlets that cover entertainment look for personal details to add texture to profiles. The path of least resistance, in many ways, is to develop some kind of public presence that manages the curiosity on your own terms.

Gaby has chosen not to. She’s protected her children’s privacy specifically and her own privacy generally. She’s let her professional credits speak without amplifying them through personal brand-building. In an era that rewards self-disclosure and punishes reserve with obscurity, that stance takes real commitment.

The Money Picture

The net worth figure of approximately $8 million that gets cited in relation to Gaby Jamieson reflects the household position rather than anything specifically pegged to her composing income alone. Film composition for smaller independent and foreign-language features doesn’t generate massive individual fees — it’s important, skilled work, but the economics of indie film don’t allow for the kind of fees that major studio scoring commands.

Will Kemp’s acting career has been the primary income driver of the household over the years, with his feature film work in the 2000s and his more recent television and Hallmark work providing consistent earnings. Gaby’s creative work adds to that financial picture while also representing professional satisfaction and identity beyond the domestic sphere.

As a UK-based household with two working parents in the creative industries, their financial stability represents decades of consistent professional work rather than a single windfall moment.

What She Focuses on Now

As of 2026, Gaby Jamieson-Kemp is in her mid-forties, with two teenagers — Thalie is now 21, Indigo is 18 — who are crossing from childhood into their own adult lives. The intensive parenting years are transitioning into a different relationship with her children, which typically opens up space for other things.

Her composing work has continued alongside the family life. Whether she’s been actively pursuing new projects in recent years isn’t something she’s publicized, but the creative identity is clearly not something she’s set aside. The IMDB credit for Modern English showing as a project in development suggests ongoing professional activity.

Will’s career continues to bring him to North America regularly for filming, and the pattern of long-distance family management that has characterized their marriage continues. She remains, by all evidence, the London anchor.

Final Words

Gaby Jamieson’s story is one that resists the usual biographical pull toward drama or public spectacle. She met a remarkable performer at the intersection of classical dance and contemporary theatre, married him on the last night of the year, built a home in London, raised two children, and wrote music for films across two decades.

What makes her interesting is precisely the consistency of her choices. Every time there was an obvious move toward greater visibility — leveraging her husband’s fame, capitalizing on the media attention that came with his film and television work — she took a different path. She composed, she parented, she stayed out of the spotlight.

That’s a form of creative integrity that often goes unrecognized because it doesn’t produce the kind of content the spotlight requires.

FAQs

1. Who is Gaby Jamieson?

A British film composer, songwriter, and occasional actress, best known publicly as the wife of British actor and former ballet dancer Will Kemp. She is credited professionally as both Gaby Jamieson and Gaby Jamieson-Kemp.

2. What is her profession?

Film composition is her primary professional identity. She’s also listed in entertainment databases as a singer and songwriter, and has acting credits.

3. What films has she composed music for?

Her documented credits include H6: Diario de un asesino (2005, Spanish horror), The Coin (2013, short), Modern English (2016), and The Midnight Man (2016). She also performed on and co-wrote a song for H6.

4. Who is Will Kemp?

Her husband — a British actor and former professional ballet dancer, born June 29, 1977 in Hertfordshire, England. He’s known for roles in Van Helsing (2004), Step Up Revolution (2012), and numerous Hallmark Channel films and television productions.

5. How did they meet?

Around 2001, during the Broadway run of Matthew Bourne’s Swan Lake, in which Will performed as a principal dancer. Gaby was connected to the creative and musical world around the production.

6. When did they marry?

December 31, 2002 — New Year’s Eve — in a private ceremony.

7. Do they have children?

Yes. Their daughter Thalie was born in 2005, and their son Indigo was born in 2008.

8. Where do they live?

They’re based in London, UK, which is Will’s home country and where the family has been centered throughout their marriage.

9. Is Gaby on social media?

She maintains no significant public social media presence and has not pursued a public profile despite her connection to a well-known actor.

10. What is her estimated net worth?

Around $8 million, reflecting the combined household financial position built across both their careers over more than two decades.

11. Has she acted in any films?

She has occasional acting credits and is listed as an actress in entertainment databases, alongside her primary identity as a composer and songwriter.

12. Why does she keep such a low profile?

By consistent choice. Despite multiple opportunities to leverage visibility connected to her husband’s public career, she has chosen to protect her family’s privacy and let her professional work speak for itself without personal brand-building.

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